Five months ago, I found this beautiful boxed set containing the first four volumes of the Dark Tower series by Stephen King. Mixing equal parts of science fiction, fantasy and western from King's pen, the Dark Tower saga is meant to be epic by birthright.
I must confess that these four books were my first encounter with Mr. King's penmanship and I'm already a fan. His style is sober and delicate. Reading these volumes makes you realize that he possesses a refined technique and the knowledge of what moves people's guts. He's a storyteller and, in my opinion, one of the best storytellers alive alongside Gaiman and Pratchett.
The first four volumes of the Dark Tower saga are:
I need to read more of Mr. King's work, in particular those science fiction volumes like The Stand; but I get the feeling that Mr. King is masterfully getting to that point where he's telling us that all his stories belong to this dark multi-verse that is defined and interconnected by the Dark Tower. I said masterfully because, in the past, Robert A. Heinlein set himself up to that task, managed to do so, and, then, screw things up—again, in my very personal opinion—making a cartoon out of it by capturing all the evil doers in a Klein bottle. So far, Mr. King is far from such heroic but buffoonish decision.
The first four volumes of the Dark Tower saga are:
- The Gunslinger. Introducing the main character of the saga, Roland, and his quest for the Dark Tower.
- The Drawing of the Three. Introducing the first set of Roland's ka-tet, a group that will play the leading role in the development of the story.
- The Waste Lands. Introduces the second part of Roland's ka-tet and King's universe. This is the one volume where King's cosmology is revealed.
- Wizard and Glass. Complements the story of young Roland, whose rite of passage was told before but this feels more like a true coming of age story, and, I believe, serves like a parting point for future developments—this is my guess from the fact that the ka-tet is complete, the past has been told and the intrigue has just been crawling in the dark between lines.
I need to read more of Mr. King's work, in particular those science fiction volumes like The Stand; but I get the feeling that Mr. King is masterfully getting to that point where he's telling us that all his stories belong to this dark multi-verse that is defined and interconnected by the Dark Tower. I said masterfully because, in the past, Robert A. Heinlein set himself up to that task, managed to do so, and, then, screw things up—again, in my very personal opinion—making a cartoon out of it by capturing all the evil doers in a Klein bottle. So far, Mr. King is far from such heroic but buffoonish decision.
In the end, I realize that the Dark Tower epic diverges from Mr. King's well known horror pen. In general, I'm not a big fan of horror, unless it is the romantic pen games exploring the human soul of Byron, Polidori, Shelley and Stoker, the primeval and insane Lovecraft mythos, or Bloch's explorations of the warped human psyche, but I'm a big fan of romantic epics—romantic in the romanticism sense, that is, an aesthetic experience derived from strong emotions.
I strongly recommend the Dark Tower series, each volume is a beautifully connected series of stories that could be novelettes per se. I cannot wait to get my hands on the last three volumes.
I strongly recommend the Dark Tower series, each volume is a beautifully connected series of stories that could be novelettes per se. I cannot wait to get my hands on the last three volumes.
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